{"id":223,"date":"2018-10-29T14:50:40","date_gmt":"2018-10-29T11:50:40","guid":{"rendered":"http:\/\/labs.ummto.dz\/lric\/?page_id=223"},"modified":"2022-06-15T00:46:45","modified_gmt":"2022-06-14T21:46:45","slug":"%d8%a7%d9%84%d9%81%d8%b1%d9%8a%d9%8206-lintertexte-dans-le-roman-algerien-dexpression-francaise","status":"publish","type":"page","link":"http:\/\/labs.ummto.dz\/lric\/%d8%a7%d9%84%d9%81%d8%b1%d9%8a%d9%8206-lintertexte-dans-le-roman-algerien-dexpression-francaise\/","title":{"rendered":"\u0627\u0644\u0641\u0631\u064a\u064206: l’intertexte dans le roman alg\u00e9rien d’expression fran\u00e7aise"},"content":{"rendered":"

\u0642\u0627\u0626\u062f \u0627\u0644\u0641\u0631\u064a\u0642<\/span>:\u00a0BETOUCHE Aini\"\"<\/span><\/strong><\/span><\/p>\n

\u0645\u062c\u0627\u0644<\/span>: Arts et Sciences Humaines<\/span><\/strong><\/p>\n

\u00a0\u0645\u0641\u0627\u062a\u064a\u062d \u0627\u0644\u0643\u0644\u0645\u0627\u062a:<\/span><\/span> actant, texte, interaction ,sructure, intertextuatil\u00e9 , contexte,<\/span><\/strong><\/p>\n

\u0648\u0635\u0641 \u0645\u0648\u0636\u0648\u0639 \u0627\u0644\u0628\u062d\u062b \u0644\u0644\u0641\u0631\u064a\u0642:<\/span><\/strong><\/p>\n

Faire l\u2019analyse des textes litt\u00e9raires fran\u00e7ais, francophones et arabophones traduits en fran\u00e7ais, romanesques soient \u2013ils ou dramaturgiques, qui r\u00e9investissent l\u2019Histoire, le mythe, la m\u00e9moire et l\u2019inconscient collectif au travers de la fiction. Les textes litt\u00e9raires francophones, entre autres ceux de A. Djebar, de Yasmina Khadra, de M. Mammeri, de Tahar Djaout, de Boualem Sansal, de Rachid Mokhtari, de Khatibi, de Dib, de A. Benhedouga et de M. Proust, traduisent une certaine r\u00e9alit\u00e9 soci\u00e9tale et t\u00e9moignent des sp\u00e9cificit\u00e9s d\u2019une \u00e9criture complexe telle qu\u2019elle n\u2019a pas encore d\u00e9voil\u00e9 toutes ses facettes. <\/span>
\nIl s\u2019agira d\u2019interroger les textes desdits auteurs dont certains puisent dans l\u2019oralit\u00e9 de leur espace de cr\u00e9ation, afin de pouvoir acc\u00e9der aux significations qui prennent en compte ce contexte , l\u2019intertexte, le choc des cultures, la violence, le centre et la p\u00e9riph\u00e9rie, le trauma, les r\u00e9miniscences, la sensorialit\u00e9, etc. Il semblerait que ces textes t\u00e9moignent du mal-\u00eatre, du malaise existentiel et de la n\u00e9cessit\u00e9 d\u2019\u00eatre entre les deux rives de l\u2019oralit\u00e9 et de l\u2019\u00e9criture, de l\u2019\u00e9criture et de la m\u00e9moire, de la fictionnalisation et<\/span> de historisation. Peut-\u00eatre pourrions-nous aussi parler du retour du r\u00e9f\u00e9rent rong\u00e9 par le mal du si\u00e8cle ?<\/span><\/p>\n

\u0627\u0644\u0642\u0627\u0626\u0645\u0629 \u0627\u0644\u0634\u0627\u0645\u0644\u0629 \u0644\u0644\u0623\u0639\u0636\u0627\u0621 \u0627\u0644\u062f\u0627\u0626\u0645\u064a\u0646 \u0641\u064a \u0627\u0644\u0641\u0631\u064a\u0642:\u00a0<\/strong><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Nom et Pr\u00e9nom<\/td>\n<\/td>\n\u0627\u0644\u0644\u0642\u0628 \u0648\u0627\u0644\u0625\u0633\u0645<\/td>\n<\/td>\nDate de Nais.<\/td>\n<\/td>\nDernier dipl\u00f4me<\/td>\n<\/td>\nGrade<\/td>\n<\/td>\nDomaine<\/td>\n<\/td>\nStructure de rattachement<\/td>\n<\/td>\nEmail actif<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
BETOUCHE Aini<\/td>\n<\/td>\n\u0628\u0637\u0648\u0634 \u0639\u064a\u0646\u064a<\/td>\n<\/td>\n24\/11\/1968<\/td>\n<\/td>\nDoctorat<\/td>\n<\/td>\nPr.<\/td>\n<\/td>\nArts et Sciences Humaines<\/td>\n<\/td>\nU. Tizi Ouzou<\/td>\n<\/td>\nbetouche16@yahoo,fr<\/td>\n<\/tr>\n
SIDI SAID Dehbia<\/td>\n<\/td>\n\u0633\u064a\u062f\u064a \u0633\u0639\u064a\u062f \u062f\u0647\u0628\u064a\u0629<\/td>\n<\/td>\n29\/06\/1976<\/td>\n<\/td>\nMagister<\/td>\n<\/td>\nMAA, Doc.<\/td>\n<\/td>\nArts et Sciences Humaines<\/td>\n<\/td>\nU. Tizi Ouzou<\/td>\n<\/td>\nmmeberki@gmail,com<\/td>\n<\/tr>\n
ALLALOU Mohamed<\/td>\n<\/td>\n\u0639\u0644\u0627\u0644\u0648 \u0645\u062d\u0645\u062f<\/td>\n<\/td>\n19\/02\/1962<\/td>\n<\/td>\nDoctorat<\/td>\n<\/td>\nMCB<\/td>\n<\/td>\nArts et Sciences Humaines<\/td>\n<\/td>\nU. Tizi Ouzou<\/td>\n<\/td>\nsemiotique2002@yahoo,fr<\/td>\n<\/tr>\n
KADRI Souad<\/td>\n<\/td>\n\u0643\u062f\u0631\u064a \u0633\u0639\u0627\u062f<\/td>\n<\/td>\n08\/03\/1981<\/td>\n<\/td>\nMagister<\/td>\n<\/td>\nMAA, Doc.<\/td>\n<\/td>\nArts et Sciences Humaines<\/td>\n<\/td>\nU. Tizi Ouzou<\/td>\n<\/td>\nsouadkedril@yahoo,fr<\/td>\n<\/tr>\n
MEKSEM Malika<\/td>\n<\/td>\n\u0645\u0643\u0633\u0645 \u0645\u0644\u064a\u0643\u0629<\/td>\n<\/td>\n08\/08\/1979<\/td>\n<\/td>\nDoctorat<\/td>\n<\/td>\nMCB<\/td>\n<\/td>\nArts et Sciences Humaines<\/td>\n<\/td>\nU. Tizi Ouzou<\/td>\n<\/td>\nmeksemmalika@yahoo,fr<\/td>\n<\/tr>\n
LOUCIF Amina<\/td>\n<\/td>\n\u0644\u0648\u0635\u064a\u0641 \u0627\u0645\u064a\u0646\u0629<\/td>\n<\/td>\n01\/10\/1976<\/td>\n<\/td>\nMagister<\/td>\n<\/td>\nMAA, Doc.<\/td>\n<\/td>\nArts et Sciences Humaines<\/td>\n<\/td>\nU. Tizi Ouzou<\/td>\n<\/td>\nzoula74@yahoo,fr<\/td>\n<\/tr>\n
ABDESSALEM Laila<\/td>\n<\/td>\n\u0639\u0628\u062f \u0627\u0644\u0633\u0644\u0627\u0645 \u0644\u064a\u0644\u0649<\/td>\n<\/td>\n06\/01\/1956<\/td>\n<\/td>\nMagister<\/td>\n<\/td>\nMAA, Doc.<\/td>\n<\/td>\nArts et Sciences Humaines<\/td>\n<\/td>\nU. Tizi Ouzou<\/td>\n<\/td>\nlilaabdsselam@yahoo,fr<\/td>\n<\/tr>\n
BOUKHELOU Fatima<\/td>\n<\/td>\n\u0628\u0648\u062e\u0644\u0648 \u0641\u0627\u0637\u0645\u0629<\/td>\n<\/td>\n02\/04\/1958<\/td>\n<\/td>\nDoctorat<\/td>\n<\/td>\nMCA<\/td>\n<\/td>\nArts et Sciences Humaines<\/td>\n<\/td>\nU. Tizi Ouzou<\/td>\n<\/td>\nmboukhlou@gmail,com<\/td>\n<\/tr>\n
ibri zohra<\/td>\n<\/td>\n\u0627\u0628\u0631\u064a \u0632\u0647\u0631\u0629<\/td>\n<\/td>\n11\/07\/1988<\/td>\n<\/td>\nMaster<\/td>\n<\/td>\nDoc.<\/td>\n<\/td>\nArts et Sciences Humaines<\/td>\n<\/td>\nU. Tizi Ouzou<\/td>\n<\/td>\nbetouche16@yahoo,fr<\/td>\n<\/tr>\n
hammaz farida<\/td>\n<\/td>\n\u062d\u0645\u0627\u0632 \u0641\u0631\u064a\u062f\u0629<\/td>\n<\/td>\n08\/07\/1974<\/td>\n<\/td>\nMaster<\/td>\n<\/td>\nDoc.<\/td>\n<\/td>\nArts et Sciences Humaines<\/td>\n<\/td>\nU. Tizi Ouzou<\/td>\n<\/td>\nbetouche16@yahoo,fr<\/td>\n<\/tr>\n
ghobriouen fatma-zohra<\/td>\n<\/td>\n\u063a\u0628\u0631\u064a\u0648\u0646 \u0641\u0627\u0637\u0645\u0629 \u0627\u0644\u0632\u0647\u0631\u0627\u0621<\/td>\n<\/td>\n18\/09\/1992<\/td>\n<\/td>\nMaster<\/td>\n<\/td>\nDoc.<\/td>\n<\/td>\nArts et Sciences Humaines<\/td>\n<\/td>\nU. Tizi Ouzou<\/td>\n<\/td>\nbetouche16@yahoo,fr<\/td>\n<\/tr>\n
ZAIMI Roufaida<\/td>\n<\/td>\n\u0632\u064a\u0645\u064a \u0631\u0641\u064a\u062f\u0629<\/td>\n<\/td>\n25\/02\/1997<\/td>\n<\/td>\nMaster<\/td>\n<\/td>\nDoc.<\/td>\n<\/td>\nArts et Sciences Humaines<\/td>\n<\/td>\nU. Tizi Ouzou<\/td>\n<\/td>\nroufaidazaimi1997@gmail.com<\/td>\n<\/tr>\n
IKNOUN Hayet<\/td>\n<\/td>\n\u0625\u0643\u0646\u0648\u0646 \u062d\u064a\u0627\u062a<\/td>\n<\/td>\n20\/05\/1993<\/td>\n<\/td>\nMaster<\/td>\n<\/td>\nDoc.<\/td>\n<\/td>\nArts et Sciences Humaines<\/td>\n<\/td>\nU. Tizi Ouzou<\/td>\n<\/td>\nhayetikenoun@gmail.com<\/td>\n<\/tr>\n
LABBACI Wassila<\/td>\n<\/td>\n\u0644\u0627\u0628\u0633\u064a \u0648\u0633\u064a\u0644\u0629<\/td>\n<\/td>\n24\/05\/1972<\/td>\n<\/td>\nMaster<\/td>\n<\/td>\nDoc.<\/td>\n<\/td>\nArts et Sciences Humaines<\/td>\n<\/td>\nU. Tizi Ouzou<\/td>\n<\/td>\nwassi.lee@hotmail.fr<\/td>\n<\/tr>\n
BELLABIOD Lydia<\/td>\n<\/td>\n\u0628\u0644\u0639\u0628\u064a\u0648\u062f \u0644\u064a\u062f\u064a\u0629<\/td>\n<\/td>\n22\/07\/1998<\/td>\n<\/td>\nMaster<\/td>\n<\/td>\nDoc.<\/td>\n<\/td>\nArts et Sciences Humaines<\/td>\n<\/td>\nU. Tizi Ouzou<\/td>\n<\/td>\nlydia.bellabiod22@gmail.com<\/td>\n<\/tr>\n
BELKALEM Samia<\/td>\n<\/td>\n\u0628\u0644\u0643\u0644\u0645 \u0633\u0627\u0645\u064a\u0629<\/td>\n<\/td>\n29\/01\/1998<\/td>\n<\/td>\nMaster<\/td>\n<\/td>\nDoc.<\/td>\n<\/td>\nArts et Sciences Humaines<\/td>\n<\/td>\nU. Tizi Ouzou<\/td>\n<\/td>\nsamia.belkalem@gmail.com<\/td>\n<\/tr>\n
YOUBI Nawel<\/td>\n<\/td>\n\u064a\u0648\u0628\u064a \u0646\u0648\u0627\u0644<\/td>\n<\/td>\n28\/03\/1997<\/td>\n<\/td>\nMaster<\/td>\n<\/td>\nDoc.<\/td>\n<\/td>\nArts et Sciences Humaines<\/td>\n<\/td>\nU. Tizi Ouzou<\/td>\n<\/td>\nyoubinawel97@gmail.com<\/td>\n<\/tr>\n
HADJ-ALI Sofiane<\/td>\n<\/td>\n\u062d\u0627\u062f\u062c \u0623\u0644\u064a \u0635\u0648\u0641\u064a\u0627\u0646<\/td>\n<\/td>\n17\/12\/1991<\/td>\n<\/td>\nMaster<\/td>\n<\/td>\nDoc.<\/td>\n<\/td>\nArts et Sciences Humaines<\/td>\n<\/td>\nU. Tizi Ouzou<\/td>\n<\/td>\nsof5521@gmail.com<\/td>\n<\/tr>\n
MOUHEB Kamelia<\/td>\n<\/td>\n\u0645\u0647\u0648\u0628 \u0643\u0645\u064a\u0644\u064a\u0629<\/td>\n<\/td>\n18\/12\/1987<\/td>\n<\/td>\nMaster<\/td>\n<\/td>\nDoc.<\/td>\n<\/td>\nArts et Sciences Humaines<\/td>\n<\/td>\nU. Tizi Ouzou<\/td>\n<\/td>\nsalut3200av@yahoo.fr<\/td>\n<\/tr>\n
ALLEL Fatiha<\/td>\n<\/td>\n\u0623\u0644\u0627\u0644 \u0641\u062a\u064a\u062d\u0629<\/td>\n<\/td>\n10\/02\/1989<\/td>\n<\/td>\nMaster<\/td>\n<\/td>\nDoc.<\/td>\n<\/td>\nArts et Sciences Humaines<\/td>\n<\/td>\nU. Tizi Ouzou<\/td>\n<\/td>\nprofesseurfle105@gmail.com<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

\u0642\u0627\u0626\u062f \u0627\u0644\u0641\u0631\u064a\u0642:\u00a0BETOUCHE Aini \u0645\u062c\u0627\u0644: Arts et Sciences Humaines \u00a0\u0645\u0641\u0627\u062a\u064a\u062d \u0627\u0644\u0643\u0644\u0645\u0627\u062a: actant, texte, interaction ,sructure, intertextuatil\u00e9 , contexte, \u0648\u0635\u0641 \u0645\u0648\u0636\u0648\u0639 \u0627\u0644\u0628\u062d\u062b \u0644\u0644\u0641\u0631\u064a\u0642: Faire l\u2019analyse des textes litt\u00e9raires fran\u00e7ais, francophones et arabophones traduits en fran\u00e7ais, romanesques...<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-223","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/labs.ummto.dz\/lric\/wp-json\/wp\/v2\/pages\/223"}],"collection":[{"href":"http:\/\/labs.ummto.dz\/lric\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/labs.ummto.dz\/lric\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/labs.ummto.dz\/lric\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/labs.ummto.dz\/lric\/wp-json\/wp\/v2\/comments?post=223"}],"version-history":[{"count":6,"href":"http:\/\/labs.ummto.dz\/lric\/wp-json\/wp\/v2\/pages\/223\/revisions"}],"predecessor-version":[{"id":443,"href":"http:\/\/labs.ummto.dz\/lric\/wp-json\/wp\/v2\/pages\/223\/revisions\/443"}],"wp:attachment":[{"href":"http:\/\/labs.ummto.dz\/lric\/wp-json\/wp\/v2\/media?parent=223"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}