{"id":47,"date":"2018-04-11T19:58:25","date_gmt":"2018-04-11T16:58:25","guid":{"rendered":"http:\/\/labs.ummto.dz\/lric\/?page_id=47"},"modified":"2022-06-15T00:40:46","modified_gmt":"2022-06-14T21:40:46","slug":"%d8%a7%d9%84%d9%81%d8%b1%d9%8a%d9%82-03","status":"publish","type":"page","link":"http:\/\/labs.ummto.dz\/lric\/%d8%a7%d9%84%d9%81%d8%b1%d9%8a%d9%82-03\/","title":{"rendered":"\u0627\u0644\u0641\u0631\u064a\u0642 03: Tradition and Transition"},"content":{"rendered":"

\u0642\u0627\u0626\u062f \u0627\u0644\u0641\u0631\u064a\u0642<\/span>: NAAR\/GADA Nadia\"\"<\/strong><\/span><\/p>\n

\u0645\u062c\u0627\u0644<\/span>:\u00a0 Arts et Sciences Humaines<\/span><\/strong><\/p>\n

\u00a0\u0645\u0641\u0627\u062a\u064a\u062d \u0627\u0644\u0643\u0644\u0645\u0627\u062a:\u00a0<\/span><\/span><\/strong><\/p>\n

Women in traditional and contemporary society; women and the family in the literary tradition; literature as a tool for self-definition and self-liberation; female expressions of cultural nationalism in Africa and beyond.<\/span><\/p>\n

\u0648\u0635\u0641 \u0645\u0648\u0636\u0648\u0639 \u0627\u0644\u0628\u062d\u062b \u0644\u0644\u0641\u0631\u064a\u0642:<\/span>
\n<\/strong><\/p>\n

The project stresses the place of women in the literary tradition. It aims to examine women writers and critics by studying their theoretical priorities and cultural positions. It is designed to explore both a specific and a general view of the status, achievements and experiences of Algerian, African, and other women in fiction and nonfiction. Using different genres (poetry, novels and plays) to understand how women\u2019s literary expression has been shaped by history, culture, and their experiences, as well as see how they are addressing issues of gender in their respective societies. The research team will focus on issues of identity, oppression, resistance, exile, language, translation and colonialism, using as points of entry a diverse set of texts revolving around two central issues: the way in which women authors represent gender as a crucial variable for social stratification and the use of writing itself as a tool for social transformation and critique. The objectives set are, first and foremost, to deal with the different genres and literary themes presented by African women writers. To understand the historical and social context in which African women\u2019s literary expressions have developed in order to appreciate the richness and variety of Algerian and African women\u2019s literary production while endeavoring to understand more clearly the impact of colonialism, race, class, ethnicity and gender on women. Taking our theoretical bearings from a comparative poetics, giving much emphasis to the oral tradition in which the writers were brought up as to the Western culture in which were educated; taking into consideration the discourse on the literature of Africa and its Diaspora and how women writers have emerged at the forefront of the movement to restore African women to their proper place in the study of African history, society and culture.<\/span><\/p>\n

\u0627\u0644\u0642\u0627\u0626\u0645\u0629 \u0627\u0644\u0634\u0627\u0645\u0644\u0629 \u0644\u0644\u0623\u0639\u0636\u0627\u0621 \u0627\u0644\u062f\u0627\u0626\u0645\u064a\u0646 \u0641\u064a \u0627\u0644\u0641\u0631\u064a\u0642:<\/strong><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n
M.\/
\nMme<\/td>\n		<\/td>\nNom et Pr\u00e9nom<\/td>\n<\/td>\n\u0627\u0644\u0644\u0642\u0628 \u0648\u0627\u0644\u0625\u0633\u0645<\/td>\n<\/td>\nDate de Nais.<\/td>\n<\/td>\nDernier dipl\u00f4me<\/td>\n<\/td>\nGrade<\/td>\n<\/td>\nDomaine<\/td>\n<\/td>\nStructure de rattachement<\/td>\n<\/td>\nEmail actif<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nNAAR\/GADA Nadia<\/td>\n<\/td>\n\u0642\u0627\u062f\u0629 \u0646\u0627\u062f\u064a\u0629<\/td>\n<\/td>\n21\/06\/1967<\/td>\n<\/td>\nDoctorat<\/td>\n<\/td>\nMCA<\/td>\n<\/td>\nArts et Sciences Humaines<\/td>\n<\/td>\nU. Tizi Ouzou<\/td>\n<\/td>\nnadiagada0@gmail.com<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nlarabi sab\u00e9ha<\/td>\n<\/td>\n\u0644\u0631\u064a\u0628\u064a \u0635\u0628\u064a\u062d\u0629<\/td>\n<\/td>\n14\/05\/1973<\/td>\n<\/td>\nDoctorat<\/td>\n<\/td>\nMAA<\/td>\n<\/td>\nArts et Sciences Humaines<\/td>\n<\/td>\nU. Tizi Ouzou<\/td>\n<\/td>\nlarabi.sabeha@gmail.c<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nseddiki sadia<\/td>\n<\/td>\n\u0633\u062f\u064a\u0643\u064a \u0633\u0639\u062f\u064a\u0629<\/td>\n<\/td>\n07\/12\/1980<\/td>\n<\/td>\nDoctorat<\/td>\n<\/td>\nMAA<\/td>\n<\/td>\nArts et Sciences Humaines<\/td>\n<\/td>\nU. Tizi Ouzou<\/td>\n<\/td>\nsad.seddiki@gmail.com<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nnassima terki<\/td>\n<\/td>\n\u0646\u0633\u064a\u0645\u0629 \u062a\u0631\u0643\u064a<\/td>\n<\/td>\n31\/08\/1989<\/td>\n<\/td>\nMagister<\/td>\n<\/td>\nMCB<\/td>\n<\/td>\nArts et Sciences Humaines<\/td>\n<\/td>\nU. Boumerd\u00e8s<\/td>\n<\/td>\nnassimaterki@hotmail.fr<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nkhedidja chergui<\/td>\n<\/td>\n\u062e\u062f\u064a\u062c\u0629 \u0634\u0631\u0642\u064a<\/td>\n<\/td>\n10\/12\/1988<\/td>\n<\/td>\nMagister<\/td>\n<\/td>\nMAA<\/td>\n<\/td>\nArts et Sciences Humaines<\/td>\n<\/td>\nU. Alger-2-<\/td>\n<\/td>\nchergui.english88@gmail.com<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nnaima tighzer<\/td>\n<\/td>\n\u0646\u0639\u064a\u0645\u0629 \u062a\u064a\u0642\u0632\u064a\u0631\u064a<\/td>\n<\/td>\n03\/05\/1983<\/td>\n<\/td>\nMagister<\/td>\n<\/td>\nMAA<\/td>\n<\/td>\nArts et Sciences Humaines<\/td>\n<\/td>\nU. Bejaia<\/td>\n<\/td>\ntighzernaima@gmail.com<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

\u0642\u0627\u0626\u062f \u0627\u0644\u0641\u0631\u064a\u0642: NAAR\/GADA Nadia \u0645\u062c\u0627\u0644:\u00a0 Arts et Sciences Humaines \u00a0\u0645\u0641\u0627\u062a\u064a\u062d \u0627\u0644\u0643\u0644\u0645\u0627\u062a:\u00a0 Women in traditional and contemporary society; women and the family in the literary tradition; literature as a tool for self-definition and self-liberation; female...<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-47","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/labs.ummto.dz\/lric\/wp-json\/wp\/v2\/pages\/47"}],"collection":[{"href":"http:\/\/labs.ummto.dz\/lric\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/labs.ummto.dz\/lric\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/labs.ummto.dz\/lric\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/labs.ummto.dz\/lric\/wp-json\/wp\/v2\/comments?post=47"}],"version-history":[{"count":15,"href":"http:\/\/labs.ummto.dz\/lric\/wp-json\/wp\/v2\/pages\/47\/revisions"}],"predecessor-version":[{"id":441,"href":"http:\/\/labs.ummto.dz\/lric\/wp-json\/wp\/v2\/pages\/47\/revisions\/441"}],"wp:attachment":[{"href":"http:\/\/labs.ummto.dz\/lric\/wp-json\/wp\/v2\/media?parent=47"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}